[FOX-Ebook]Image Science: Iconology, Visual Culture, and Media Aesthetics

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Almost thirty years ago, W. J. T. Mitchell’s Iconology helped launch the interdisciplinary study of visual media, now a central feature of the humanities. Along with his subsequent Picture Theory and What Do Pictures Want?, Mitchell’s now-classic work introduced such ideas as the pictorial turn, the image/picture distinction, the metapicture, and the biopicture. These key concepts imply an approach to images as true objects of investigation—an “image science.”

Continuing with this influential line of thought, Image Science gathers Mitchell’s most recent essays on media aesthetics, visual culture, and artistic symbolism. The chapters delve into such topics as the physics and biology of images, digital photography and realism, architecture and new media, and the occupation of space in contemporary popular uprisings. The book looks both backward at the emergence of iconology as a field and forward toward what might be possible if image science can indeed approach pictures the same way that empirical sciences approach natural phenomena.

Essential for those involved with any aspect of visual media, Image Science is a brilliant call for a method of studying images that overcomes the “two-culture split” between the natural and human sciences.

Table of Contents

Part One: Figures
Chapter 1. Art History On The Edge: Iconology, Media, And Visual Culture
Chapter 2. Four Fundamental Concepts Of Image Science
Chapter 3. Image Science
Chapter 4. Image X Text
Chapter 5. Realism And The Digital Image
Chapter 6. Migrating Images: Totemism, Fetishism, Idolatry
Chapter 7. The Future Of The Image: Rancière’S Road Not Taken
Chapter 8. World Pictures: Globalization And Visual Culture

Part Two: Grounds
Chapter 9. Media Aesthetics
Chapter 10. There Are No Visual Media
Chapter 11. Back To The Drawing Board: Architecture, Sculpture, And The Digital Image
Chapter 12. Foundational Sites And Occupied Spaces
Chapter 13. Border Wars: Translation And Convergence In Politics And Media
Chapter 14. Art X Environment
Chapter 15. The Historical Uncanny: Phantoms, Doubles, And Repetition In The War On Terror
Chapter 16. The Spectacle Today: A Response To Retort


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